That Drifting Excrement Was Way Too Symbolic! These Are the Television Letdowns of the Year.
As we consider the television landscape of the past year, a handful of series stand out not for their excellence, but for their notable failures. From cringe-inducing spin-offs to confusingly poor documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive spin-off? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the final series started, it looked like it had finally found its groove. Then came an episode all about Seema’s natural deodorant. Little surprise the creator declared this would be the last season. It concluded on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, viewers certainly found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't let out a little sob?
All’s Fair
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was almost the least of this drama's problems. The recipient of a very rare zero star review, it was hard to know where to start enumerating the problems. The laughably leaden dialogue? The mind-numbing veneration of wealth and materialism? The seemingly wilful procession of tropes? Acting so poor they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. However, a second season has been commissioned, so we’re likely going to have to.
The Charlie Sheen Documentary
Considering the restraining orders, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to endure proximity with this charismatic but dismissive narcissist.
The Iris Affair
Naturally we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure love for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.
The Gangster Drama
Shady characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
Actually, that is unfair on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t endure the embarrassment of having to indulge unconvincing accents. But there were many other problems. Primarily that it was just profoundly dull; a dispute over drug-selling territory between various London rogues which seemed rather simplistic.
With Love, Meghan
Given the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate provocations. But then you watch them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine come to life; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and pointless crafting “hacks” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.
Victoria Beckham
There are clearly fascinating things to be said about both Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this documentary series chose not to explore them. Rather, the experience was akin to reading a sales catalogue. She obviously has good reason to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.
The Inheritance
It had the potential to be the next big hit – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up reeking of a production that was straining desperately to emulate something way beyond it.
The Lena Dunham Romcom
How do you succeed a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not good enough to be ‘uneven’.
Given the shrewd recruitment of gifted younger comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated with care. Instead, the series struggled painfully to find the right tone, lumbering from strangely jaunty, somewhat mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.
Prime Target
We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the brink of a breakthrough that could ruin society? Nope! This international thriller about government agencies targeting – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This hagiography followed the content creator renowned for explicit exploits as she undertook her biggest challenge yet. What on earth would possess her? What we wanted was way more examination of her true psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.